A continuation of the All Souls Trilogy also known as 
The Discovery of Witches trilogy), this book continues to follow Matthew and Diana, as they travel to late 1500’s London (and around Europe as well). It’s an amazing read, though (like the first book) it is quite long.
Read Matthew Lachkovic’s review of A Discovery of Witches.
Availability: SMCM Library and COSMOS
Review Submitted by: Matthew Lachkovic
Rating: Highly Recommended
A one line review from Glamour on the cover of the book says, “Into Thin Air meets Titanic in this truly chilling adventure.” I couldn’t have summed it up better than that! I’m very glad that I was reading this book during the heat of the summer because it would be brutal to read in the winter when you would feel the described Arctic cold in your very bones. Written using actual diary and journal entries, plus newspaper accounts, this story tells itself without interpretation by the author. The hardships endured by the passengers on board the exploration ship Karluk are hard to read, but the well-written story draws you along every bitterly cold minute of their misadventures. I truly couldn’t put the book down.
Availability: COSMOS and USMAI
Review Submitted by: Jane Kostenko
Rating: Must Read
An older book (copyright 2000), this is an ugly story of kidnapping and revenge. Unlikable characters, lots of sexually explicit action, and far-fetched storylines make it a distasteful and unpleasant read. I can’t recall now whether this is typical of Greg Iles or not, but I won’t be seeking his books out in the future.
Availability: COSMOS
Review Submitted by: Jane Kostenko
Rating: Not Recommended
Continuing my binge reading of Nevada Barr, I was dismayed to find the main character still in the throes of emotional recovery (odd that she’s had similar experiences in the past without so much as a twinge of conscience…), but at least her sense of humor is in full force. Burn was a good read by an intelligent author who writes for a higher level of readership than your usual murder mystery writer. I do look forward, frankly, to the main character’s return to the great outdoors and leaving the more sordid escapades of humans behind…
Availability: COSMOS
Review Submitted by: Jane Kostenko
Rating: Highly Recommended
In this autobiography of a simple Midwestern boy, actor Rob Lowe tells the tales of his journey to award-winning fame, his story beginning very early in his life with his family struggles and problems fitting in at school. After becoming a child star, Lowe’s fame rockets after starring in The Outsiders and St. Elmo’s Fire and becoming a member of the infamous media-spawned Brat Pack, a group of young stars in the 80s recognized for partying and debauchery. Lowe tells of his career successes and failures and his struggles with alcoholism, romance, and discovering himself as an actor, culminating in his experience of what he describes as one of the best roles of his lifetime: starring as Sam Seaborn in the critically acclaimed TV series The West Wing.
This autobiography is different from what I expected it to be, but I have nothing but positive things to say about it. It is amazing to read about all the people Rob Lowe met that would go on to become just as famous (Charlie Sheen and Janet Jackson are only two of many examples). I also delighted in reading about all the hard times Lowe has been through in his life; I had no idea everything that he had been through just from watching his film and TV work. Stories I Only Tell My Friends is a triumph of nonfiction that is just as captivating as any fictional novel, and I recommend it to any fan of Rob Lowe or anyone who enjoys a great coming-of-age story.
Availability: COSMOS
Review Submitted by: Brianna Glase
Rating: Highly Recommended
Today (7/13/14) I was saddened to learn that Nadine Gordimer passed away at the age of 90. It has been nearly a year since I have read one of her many novels, but I thought I’d share my favorite Gordimer with the SMC family in hopes that more people will get to know her writing better.
The Conservationist won the Man Booker Prize. The book tells the story of a conservative, white, South African “developmentalist” business-tycoon named Mehring who decides to buy a large ranch/farm outside of Johannesburg. At the beginning of the novel Mehring justifies his purchase as a matter of keeping up a certain level of conspicuous consumption and creating a remote place to seduce married women. While he continuously tries to imagine and live the farm as a kind of edenic nature retreat, his fantasies continuously run afoul of the realities of an apartheid-era farm. He is unable to see past his arrogant delusions of romantic nature without people, even though his farm is created and maintained through the labor of a large number of (black African) people who live and work on the land for a pittance. Mehring appears only on weekends and holidays, but this does not stop him from ordering his farm manager, Jacobus, to do all sorts of bizarre, misinformed, or detrimental work on the farm (which Jacobus quietly resists). The bounds of Mehring’s narrow, small imagination are pushed at through his illusions of his liberal ex-lover, who taunts his judgements and opinions at every turn, yet fails to pierce his studied obstructionism and willfully blind privilege. Mehring’s obliviousness is challenged most acutely by the existence of an unnamed, unmarked dead black man on the farm, who was found dead on his property. The police, having little concern for the victim because of his race, force Jacobus and the other farm hands to bury the man. The man serves as a powerful symbol of the histories Merhing’s colonial farm attempts to shove out of sight and out of mind, only to reemerge.
In what ways is Mehring “a conservationist”? What does he “conserve?” Turn to this powerful meditation on the ideologies of development, capitalism, and apartheid to find out.
Rating: I’ve veld many good books in my hands, but seldom velt so good reading one as when reading about the farm in Gordimer’s The Conservationist.
Availability: SMCM Library, USMAI
Review Submitted by: Shane D. Hall
Rating: Highly Recommended
In 1960, the author John Steinbeck drove across the United States in a camper truck called Rocinante (after Don Quixote’s horse). Accompanied only by a 10-year-old French poodle named Charley, Steinbeck travels from Long Island north to Maine and across the upper Midwest to Seattle, down to his native Salinas Valley in California, across to Texas, and through the South. Steinbeck’s travelogue chronicles an America losing its regional distinctiveness in favor of putting “cleanliness first at the expense of taste.” He deftly explores issues of racism, rural-urban migration, and poverty throughout this journey.
In his introduction to the 50th anniversary edition, Jay Parini writes “it would be a mistake to take this travelogue too literally, as Steinbeck was at heart a novelist, and he added countless touches – changing the sequence of events, elaborating on scenes, inventing dialogue – that one associates more with fiction than nonfiction.” Regardless of its authenticity, Travels with Charley is an excellent example of Steinbeck’s excellent dialogue and warm prose. A perfect companion for a summer road trip!
Availability: USMAI and SMCM Library
Review Submitted by: Kaitlyn Grigsby
Rating: Highly Recommended
This was a quick and enjoyable “beach read”. Taking place in Nantucket, it follows the ups and downs of lifetime best friends with some interesting twists. A short but enjoyable read.
Availability: COSMOS
Review Submitted by: Tammy Cannon
Rating: Recommended
If you are looking for a good, old-fashioned vampire novel, look no further than Lauren Owen’s The Quick. For the first 150 pages, you may think that Owen’s novel (her first) will be a straightforward, conventional tale of orphaned siblings in Victorian England. Then, James Norbury finds himself a reluctant member of the Aegolius Club, a secret society for the wealthy (and undead). After James goes missing, his sister Charlotte travels to London to search for him. Like the heroine of any Gothic novel, Charlotte finds herself navigating a underground London populated by dangerous characters: child vampires, a pair of “Van Helsings,” and the mysterious Doctor Knife. Like Bram Stoker’s Dracula, Owen plays with narrative and form to encompass the thoughts of both the (un)dead and the “quick.” Only the narrative of Charlotte, our virginal heroine, falls flat. Overall, however, Owen has written a dark, compelling story of the monsters within us all. No sparkly vampires in sight.
Availability: COSMOS
Review Submitted by: Kaitlyn Grigsby
Rating: Highly Recommended
The Last Man is the story of Lionel Verney, told by himself, the last man alive on earth after a rapacious plague accompanies sudden, ill-fated climate change and interminable armed conflicts at the end of the 21st century.
No, I am not talking about Margaret Atwood’s Maddadam trilogy, nor Paolo Bacigalupi’s Wind Up Girl or even old-school books like Ballard’s Drowned World or Matheson’s The Omega Man. Those spring chickens are just derivative, it turns out. In The Last Man, in 1826, Mary Shelley’s novel of the waterless flood of plague blasts the contours through the imaginative plains by which modern apocalyptic fiction so easily traverses today.
Most know Mary Shelley as the author of the inimitable Frankenstein (1818), that foundational sci-fi novel of the monstrous Frankenstein and the piteous wretch he creates by arrogantly and selfishly flouting the laws of Nature. If your picture of the creature is large, green, and neck-bolt sporting, blame a century of adaptation and continued fascination with humanity’s new-found technological potential for playing god; but then do yourself a favor and go read Shelley’s masterpiece meditation on life, the universe, and everything. If you haven’t read Frankenstein, I cannot recommend it more highly. I remember reading it for the first time in Christine Wooley’s ENG 304 class, and have fondly revisited this rich text every year since graduating SMCM. But that’s Frankenstein, and I am writing this review of Shelley’s The Last Man.
The Last Man is narrated from the year 2100, detailing the events from 2092 onwards when a virulent plague accompanies uncanny changes in Earth’s typical climate to annihilate humanity. Looking forward from 1826, Shelley foretells the decolonization of England’s imperial ambitions, air travel, the flash-light, and the end of monarchy’s supreme hold on English politics. This is not to say Shelley plays at Sibyl, even though that’s how her author’s note frames her chilling tale. She is flat out, hilariously wrong about a number of things that seemed immutable in 1826 but fanciful in 2014. The Ottoman Empire is strong in her future, for example, the USA still has a uncolonized frontier, and people still ride horses to and fro and boast of motorized steam engines which make freighters reach “8 knots, at least!” traveling across quiet waters. But its remarkable to see how inventive and at times transgressive Shelley’s style and content are throughout the 340 page novel.
Episodic, and at times rapturously romantic in its florid depictions, The Last Man tends to drag at times and seem in want of an editor. But the depiction of Earth’s slow, tortured desolation is haunting despite its digressive and at times anachronistic flavor. One of the first science fiction novels, and certainly the first “cli-fi” novel, The Last Man is a fascinating, and bone-chilling, summer read.
Availability: USMAI and SMCM Library
Review Submitted by: Shane D. Hall
Rating: Recommended; This novel’s sick!
