In 1960, the author John Steinbeck drove across the United States in a camper truck called Rocinante (after Don Quixote’s horse). Accompanied only by a 10-year-old French poodle named Charley, Steinbeck travels from Long Island north to Maine and across the upper Midwest to Seattle, down to his native Salinas Valley in California, across to Texas, and through the South. Steinbeck’s travelogue chronicles an America losing its regional distinctiveness in favor of putting “cleanliness first at the expense of taste.” He deftly explores issues of racism, rural-urban migration, and poverty throughout this journey.
In his introduction to the 50th anniversary edition, Jay Parini writes “it would be a mistake to take this travelogue too literally, as Steinbeck was at heart a novelist, and he added countless touches – changing the sequence of events, elaborating on scenes, inventing dialogue – that one associates more with fiction than nonfiction.” Regardless of its authenticity, Travels with Charley is an excellent example of Steinbeck’s excellent dialogue and warm prose. A perfect companion for a summer road trip!
Availability: USMAI and SMCM Library
Review Submitted by: Kaitlyn Grigsby
Rating: Highly Recommended

This was a quick and enjoyable “beach read”. Taking place in Nantucket, it follows the ups and downs of lifetime best friends with some interesting twists. A short but enjoyable read.
If you are looking for a good, old-fashioned vampire novel, look no further than Lauren Owen’s The Quick. For the first 150 pages, you may think that Owen’s novel (her first) will be a straightforward, conventional tale of orphaned siblings in Victorian England. Then, James Norbury finds himself a reluctant member of the Aegolius Club, a secret society for the wealthy (and undead). After James goes missing, his sister Charlotte travels to London to search for him. Like the heroine of any Gothic novel, Charlotte finds herself navigating a underground London populated by dangerous characters: child vampires, a pair of “Van Helsings,” and the mysterious Doctor Knife. Like Bram Stoker’s Dracula, Owen plays with narrative and form to encompass the thoughts of both the (un)dead and the “quick.” Only the narrative of Charlotte, our virginal heroine, falls flat. Overall, however, Owen has written a dark, compelling story of the monsters within us all. No sparkly vampires in sight.





